It's a pensive and heartfelt movie, assuming that you let yourself get caught up in its moody-minimalist, more-visual-than-verbal style.. Not a heady experience like many of the semi-experimental 1960s films he emulates. Instead, it's mostly a tedious chore, much akin to listening poetry you don't much like.. The satire comes to feel strained and the whole premise gets awfully precious, reducing social subtleties to cinematic simplicities.. The technique - and this movie is about nothing if not ...
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