Haneke's most expansive and, oddly, hopeful work -- not a gaze into the void, but a fierce attempt to scramble out of it.. Even more impressive is the way Haneke evokes violence without showing it, and whips up tension and dread without music or any of the manipulative tricks so popular among Hollywood filmmakers.. The violence, in short, remains unseen, but that makes it no easier to bear; what lurks and wails behind a wall is, for Haneke, the most reliable wellspring of dread.. Unfortunately, ...
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