What is puzzling is how Edward Zwick has taken an extraordinary real-life story about a handful of people who defied huge odds, and turned it into an utterly conventional war movie.. Zwick, intent on correcting the perception of Jews as passive victims, lets the action set pieces overwhelm the more intimate scenes, several of which are already diminished by stilted dialogue.. Dear John succeeds where Sparks duds like Rodanthe crumbled because it harnesses fresher talents to pull off a comforting...
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